Fan Giftz, LLC Wrap Studio Orem
Gift curation and custom merchandise

Every fan deserves WRAP that feels ceremonial.

Fan Giftz, LLC is a small gift curation and custom merchandise studio that treats the box itself as part of the present. From our wrap counter at 87 Mountain Way Dr, Orem - 84058-5151, United States (US) we assemble themed gift boxes, hand cut wrap and keepsake kits for collectors, clubs, offices and family milestones. We plan, fold and tie every order by hand, then send it out so the unwrapping becomes the event.

See how our six studio services fit together →

The wrap counter
Paper rail
Tissue
Kits
Ready to send
Bow bin
Start a gift plan with our Orem studio

Six services on the shelves

A workshop arranged the way a gift actually comes together

Our work is organised in the order a present passes through the counter: the box, the wrap, the extras that stay after the paper is gone, the quantities for a whole room of guests, the small writing that lets someone know who sent it, and the rhythm of gifts that arrive again and again. Each tray below holds one of those jobs. Pick a single service or let us carry a project from the first sketch of a theme to the last bow.

First on the shelf

Themed Gift Boxes

We build the whole box around a subject rather than around a price point, then choose contents that hold together when they are laid out side by side. A theatre club box might open onto playbills, letterpress tickets and a programme sleeve, while a kitchen box layers linens, spice tins and a printed recipe card in the same cloth.

Every box begins with a written theme brief, a contents list and a packing diagram so the recipient receives the same arrangement that was approved on paper. Read the full description on our services page.

Paper and finish

Custom Wrap and Sash Work

Wrap is measured, creased and folded by hand on the counter, with corners cut square and edges tucked rather than taped flat. We keep a working library of papers, cloth bands, twine and seals, and we match a finish to the object instead of forcing every parcel into the same look.

Odd shapes are welcome here. Bottles, frames, cones, hat boxes and round tins all get their own pattern, drawn on scrap paper first and then cut once in the final material.

What stays after

Keepsake Kits

A keepsake kit is the part of the gift that outlives the occasion: a small archive of notes, photographs, pressed paper and printed cards that a family or a club can add to over the years. We design the container, the dividers and the printed prompts as one object.

Kits are used for retirements, anniversaries, team farewells and season endings. The archive is built to be opened more than once, so we choose thicker board, stitched spines and a lid that closes without force.

For a whole room

Event Favor Runs

Favors are a production problem disguised as a craft problem, and we treat them that way. A run is planned with a fixed count, a fixed budget per item and a single wrapping method that can be repeated cleanly by hand for two hundred guests without the last fifty looking tired.

We assemble samples first, approve one, then build the run in batches on the counter. Deliveries leave in labelled cartons sorted by table, by arrival order or by name.

The handwriting

Personalized Gift Tags

Tags carry the weight of the whole present when they are the first thing a person reads. We cut them from heavy card, punch them cleanly, and print or letter the names, dates and short messages that give an object its story.

We can hold a typeface across a series so a family of gifts reads as one set, or vary the shape of each tag so every parcel in a pile keeps its own character. Edges are sanded and the punch is reinforced so the tag survives the trip.

Again and again

Subscription Gift Plans

A subscription plan sets a cadence for small, considered parcels: monthly, seasonal or tied to a personal calendar. We rotate the theme, the paper and the small object inside so that the fourth parcel still feels like a decision rather than a shipment on autopilot.

Plans are written down as a season schedule with a contents sketch for each send. Offices use them for client gratitude, families use them for students away from home, and clubs use them for member milestones.

Every tray can stand on its own, and most orders combine two or three. If you already know what the box should feel like but not what goes inside, bring the feeling and we will build the rest. Send us a note about your project.

Fan Giftz, LLC opens its holiday wrap calendar each autumn, and the studio now holds a limited number of late season slots for keepsake kits, favor runs and subscription starts.

How the counter works

The studio is deliberately small and the process is deliberately plain. A first conversation gathers the occasion, the number of parcels, the people receiving them and the budget ceiling. We then write a short brief that lists the theme, the contents and the finish, so nothing important is left to a verbal memory. Only after that brief is accepted do materials get ordered and the counter gets cleared.

Production happens in three passes. The first pass builds a single sample parcel and photographs it from four angles. The second pass corrects the sample, usually by simplifying one element that looked busier in the hand than on the sketch. The third pass runs the full quantity, batch by batch, with each batch checked against the approved sample before it is boxed for delivery.

Because the counter handles one project at a time, we can tell you honestly whether a date is realistic. When a run is too large for the window, we say so and offer a smaller version rather than a rushed one. That habit keeps the finish consistent and keeps our promise honest, which matters more to us than taking every order that arrives.

Materials chosen for the hand

Paper is the heart of the studio. We buy uncoated stock in warm neutrals because it takes ink and pencil without glare, and we keep a stock of heavier board for tags, dividers and archive lids. Cloth bands and twine are selected for how they lie against a corner rather than for how they photograph, and every new material is folded on the bench before it enters the library.

Boxes are chosen for structure first. A lid should lift with a small hush, a base should hold its shape when the contents are heavy, and the whole parcel should survive a courier van without a seam opening. Where a box is not strong enough, we line it rather than hide the weakness under a bow.

What we keep in the workshop

Uncoated wrap paper in neutral tones, cloth bands and cotton twine, greyboard and heavy card, tissue in two weights, brass tag punches, a cutting mat that is already scarred, linen tape, sash spools sorted by width, and a drawer of small seals. None of it is exotic, and all of it is chosen so the finished parcel looks calm from a metre away and rewards a closer look.

The advantage of working this way is that a client can visit the studio in Orem and handle the actual materials before a run is approved. If you are arranging a gift from another state, we photograph the bench samples in natural light and send them for review, which has proved close enough to a studio visit for most projects.

Who we build for

Our clients fall into a handful of familiar groups. Clubs and fan groups order themed gift boxes and keepsake kits for season endings, anniversaries and member milestones. Small companies order event favor runs and subscription gift plans for clients, speakers and staff, usually with a strict budget and a tight date. Families order anniversary kits, welcome parcels and holiday wrap for objects that need a careful hand. Weddings and birthdays bring tag work and odd shaped parcels that resist standard paper.

What these groups share is a wish for the gift to feel specific. Nobody needs another branded mug, and most people can tell the difference between a parcel that was assembled for them and a parcel that came off a shelf. We work from that difference. A box for a retiring stage manager and a box for a chess club champion will be built by the same hands, but they will not look alike, and that is the point.

We also care about the practical side of gifting, which is why every project ends with a delivery plan. Parcels are sorted, labelled and cartoned in the order they will be handed out, and a simple packing list travels with the shipment so the person receiving the cartons knows what should be inside.

A studio that grows at gift speed

Fan Giftz, LLC has grown the way a good workshop should, by taking on one new service only after the previous one was fully under control. Boxes came first, then wrap work, then keepsake kits, then favors, then tags, and finally the subscription plans that stitch the others into a calendar. The order matters because each service leans on the discipline of the ones before it.

Today the studio runs on a weekly rhythm. Mondays and Tuesdays are for planning, sampling and ordering materials. Midweek is production, when the counter is covered in paper and the door stays closed. Fridays are for packing, labelling and the walk to the courier point. That rhythm leaves room for the unexpected, which in a craft business is never in short supply.

If you have a project that does not fit neatly into one of the six services, describe it anyway. The most interesting work often starts as a request we have never received before, and our favourite answer is to build a sample and see how it behaves in the hand. You can reach the studio at office@fangiftz.autos or by telephone on +16079901062.